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<dc:title xml:lang="de">I am, she is, we are - working on fire</dc:title>

  
<dc:description xml:lang="de">I Am, She Is, We Are- Working On Fire
based on 13 interviews, researched and realised in exchange with the Manoa Free University, dedicated to the global and local movements of informal and precarious workers

31 miniatures of working and living rooms 
a submultiple of the &quot;global city&quot; as embodied factory. 
13 women tell a story about their everyday life, their desires and working conditions.
&quot;I am, She is, We are, -Working On Fire&quot; is research and reflection of our own (precarious) working situations, the balance between doing art work and short-time money work. 
The project is an attempt to see our situation in a global context and to elaborate communication about the problems of these working circumstances -not only in the field of cultural work and not only in the small circles of friendships. 
This intention is based on the assumption of a couple of parallels and similarities in the working and living situations of precarious workers in the cities all over the world.</dc:description>

  
<dc:description xml:lang="en">I Am, She Is, We Are- Working On Fire
based on 13 interviews, researched and realised in exchange with the Manoa Free University, dedicated to the global and local movements of informal and precarious workers

31 miniatures of working and living rooms 
a submultiple of the &quot;global city&quot; as embodied factory. 
13 women tell a story about their everyday life, their desires and working conditions.
&quot;I am, She is, We are, -Working On Fire&quot; is research and reflection of our own (precarious) working situations, the balance between doing art work and short-time money work. 
The project is an attempt to see our situation in a global context and to elaborate communication about the problems of these working circumstances -not only in the field of cultural work and not only in the small circles of friendships. 
This intention is based on the assumption of a couple of parallels and similarities in the working and living situations of precarious workers in the cities all over the world.</dc:description>

  
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<dc:type>Diplomstudium</dc:type>

  
<dc:type>Diploma</dc:type>

  
<dc:type xml:lang="de">Diplomstudium</dc:type>

  
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<dc:type xml:lang="en">Diploma</dc:type>

  
<dc:subject xml:lang="en">summer term 2005</dc:subject>

  
<dc:subject xml:lang="de">2005 Sommersemester</dc:subject>

  
<dc:subject xml:lang="de">Auer Elke</dc:subject>

  
<dc:subject xml:lang="de">Straganz Esther</dc:subject>

  
<dc:subject xml:lang="de">Fürstner Thomas</dc:subject>

  
<dc:subject xml:lang="de">Visuelle Mediengestaltung</dc:subject>

  
<dc:subject xml:lang="de">Medienkunst</dc:subject>

  
<dc:subject xml:lang="de">Weibel Peter</dc:subject>

  
<dc:subject xml:lang="de">I am, she is, we are - working on fire</dc:subject>

  
<dc:creator>Elke Auer</dc:creator>

  
<dc:contributor>Thomas Fürstner</dc:contributor>

  
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<dcterms:provenance xml:lang="de">Diese Abschlussarbeit ist im Zuge einer Datenbankmigration (2022) in das Repositorium der angewandten migriert worden.
Die Abschlussarbeit wird im Rahmen der Veröffentlichungspflicht (§ 86 UG 2002) zur Verfügung gestellt.
Haben Sie inhaltliche oder redaktionelle Anliegen zur digitalen Version dieser Abschlussarbeiten, drücken Sie auf die oder den Eigentümer:in. Sie werden dann an den Support weitergeleitet.</dcterms:provenance>

  
<dcterms:provenance xml:lang="en">This thesis has been migrated to the repository of the angewandte in the course of a database migration (2022).
The thesis is made available within the framework of the obligation to publish (§ 86 UG 2002).
If you have content or editorial concerns about the digital version of these theses, press the owner. You will then be forwarded to the support team.</dcterms:provenance>

  
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