
<resource xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:datacite="http://datacite.org/schema/kernel-4" xmlns="http://namespace.openaire.eu/schema/oaire/" xsi:schemaLocation="http://namespace.openaire.eu/schema/oaire/ https://www.openaire.eu/schema/repo-lit/4.0/openaire.xsd">
  
<datacite:identifier identifierType="URL">https://phaidra.bibliothek.uni-ak.ac.at/o:40752</datacite:identifier>

  
<datacite:titles>
  
<datacite:title xml:lang="de">Meine Mutter &quot;Salome&quot;</datacite:title>

  
</datacite:titles>

  
<datacite:creators>
  
<datacite:creator>
  
<datacite:creatorName nameType="Personal">Beherens-Schneidmann, Sara Lee Helene</datacite:creatorName>

  
<datacite:givenName>Sara Lee Helene</datacite:givenName>

  
<datacite:familyName>Beherens-Schneidmann</datacite:familyName>

  
</datacite:creator>

  
</datacite:creators>

  
<datacite:contributors>
  
<datacite:contributor contributorType="Other">
  
<datacite:contributorName nameType="Personal">Altersee, Christian Ludwig</datacite:contributorName>

  
<datacite:givenName>Christian Ludwig</datacite:givenName>

  
<datacite:familyName>Altersee</datacite:familyName>

  
<datacite:nameIdentifier nameIdentifierScheme="GND" schemeURI="https://d-nb.info/gnd/">118504932</datacite:nameIdentifier>

  
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<fundingReference></fundingReference>

  
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<dc:description xml:lang="de">Diplomarbeit an der Universität für angewandte Kunst Wien</dc:description>

  
<dc:description xml:lang="en">My Mother &quot;Salome&quot;

As the daughter of the opera singer Hildegard Behrens, I have been familiar with the music and story of &quot;Salome&quot; by Richard Strauss/Oscar Wilde since my early childhood. My diploma is a synthesis of my memories, impressions and my own view of Salome.
My series consists of three groups of paintings:
In the &quot;mirror-paintings&quot; (&quot;Lipstick on the Mirror&quot;, &quot;Salome Doll&quot;, and &quot;In the Dressing-room&quot;) I wanted to free Salome from being an object and awaken compassion for her; the process of identification is symbolized by the reflections.
In the &quot;dance-paintings&quot; I tried to show the loneliness of the &quot;child-wife&quot; Salome.
In the &quot;kiss-paintings&quot; (&quot;The Meditation&quot;, &quot;Salome and the White Peacocks&quot;, and &quot;The Cistern&quot;), a change in Salome&#39;s awareness becomes visible: the image of the pomegranate is gradually replaced by the insurmountable reality.</dc:description>

  
<datacite:subjects>
  
<datacite:subject xml:lang="en">winter term 2004/05</datacite:subject>

  
<datacite:subject xml:lang="de">2004/05 Wintersemester</datacite:subject>

  
<datacite:subject xml:lang="de">BEHRENS Sara</datacite:subject>

  
<datacite:subject xml:lang="de">Diplom Wintersemester 2004/2005</datacite:subject>

  
<datacite:subject xml:lang="de">Meine Mutter &quot;Salome&quot;</datacite:subject>

  
</datacite:subjects>

  
<file>https://phaidra.bibliothek.uni-ak.ac.at/api/object/o:40752/download</file>

  
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<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bibliothek.uni-ak.ac.at/o:66364</datacite:relatedIdentifier>

  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bibliothek.uni-ak.ac.at/o:66464</datacite:relatedIdentifier>

  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bibliothek.uni-ak.ac.at/o:66843</datacite:relatedIdentifier>

  
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<datacite:dates>
  
<datacite:date dateType="Issued">2022</datacite:date>

  
</datacite:dates>

  
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