<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:subject xml:lang="deu">2020/21 Wintersemester</dc:subject>
  <dc:subject xml:lang="deu">03</dc:subject>
  <dc:subject xml:lang="deu">Natalia_Evelyn_BENCICOVA</dc:subject>
  <dc:type xml:lang="eng">container</dc:type>
  <dc:type xml:lang="eng">Diploma</dc:type>
  <dc:creator>Natália Evelyn Bencicova</dc:creator>
  <dc:type xml:lang="deu">Diplomstudium</dc:type>
  <dc:description xml:lang="eng">&quot;Sensus Communis uses virtual environment, sound, touch, and smell to create embodiment inside of the thematic narrative Anti-Atlantis.
If Atlantis is a story of an ancient culture destroyed by nature, then Anti-Atlantis represents its opposite – present or future landscape destroyed by human culture of excess. The organic form represents the vision of utopian paradise as we remember it – even though this memory might exist only as a constructed fantasy. The scene reveals the effect of &quot;&quot;progress&quot;&quot;; appropriation of nature as resources for industrial production with alarming pollution levels. Anthropocene leads to paradise lost, a catastrophe scenario that, if we ignore warning signs, gradually consumes everything. Anti-Atlantis calls for moment of awakening. In time travel between past and future, it brings attention to our present behaviour, its consequences, and impulse for change.
&quot;</dc:description>
  <dc:subject xml:lang="eng">winter term 2020/21</dc:subject>
  <dc:contributor>Gabriele Rothemann</dc:contributor>
  <dc:title xml:lang="deu">Sensus Communis - Anti-Atlantis</dc:title>
  <dc:identifier>https://phaidra.bibliothek.uni-ak.ac.at/o:40881</dc:identifier>
</oai_dc:dc>