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<dc:title xml:lang="de">The Nonessential Essential</dc:title>

  
<dc:description xml:lang="de">The Force of Embodiment, a hypothesis about a fourth fundamental force in nature and the intrinsic capacity of matter to reincarnate

An artistic hypothesis about the existence of a fourth fundamental force in matter. Written from the perspective of an artist immersed in the scientific world, its language and theories and in collaboration with scientists from CERN. The artistic work, presented as a scientific journal, exposes the visualization and study of the hypothetical force, compared to the three known and proven forces, the weak or electromagnetic force, the strong force and the gravitational force. The proposed Force of Embodiment is impossible to prove scientifically but is coherent to the discourse of particle physics. Qualified as “poetic but not scientific” in the physics world, and being proud of this qualification, this hypothesis opens up a discussion on how far arts can imagine into the world of particle physics.</dc:description>

  
<dc:description xml:lang="en">The Force of Embodiment, a hypothesis about a fourth fundamental force in nature and the intrinsic capacity of matter to reincarnate

An artistic hypothesis about the existence of a fourth fundamental force in matter. Written from the perspective of an artist immersed in the scientific world, its language and theories and in collaboration with scientists from CERN. The artistic work, presented as a scientific journal, exposes the visualization and study of the hypothetical force, compared to the three known and proven forces, the weak or electromagnetic force, the strong force and the gravitational force. The proposed Force of Embodiment is impossible to prove scientifically but is coherent to the discourse of particle physics. Qualified as “poetic but not scientific” in the physics world, and being proud of this qualification, this hypothesis opens up a discussion on how far arts can imagine into the world of particle physics.</dc:description>

  
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<dc:type>Master</dc:type>

  
<dc:type>Master</dc:type>

  
<dc:type xml:lang="de">Master</dc:type>

  
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<dc:type xml:lang="en">Master</dc:type>

  
<dc:subject xml:lang="en">summer term 2019</dc:subject>

  
<dc:subject xml:lang="de">2019 Sommersemester</dc:subject>

  
<dc:creator>Daniela Brill</dc:creator>

  
<dc:contributor>Virgil Widrich</dc:contributor>

  
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<dcterms:provenance xml:lang="de">Diese Abschlussarbeit ist im Zuge einer Datenbankmigration (2022) in das Repositorium der angewandten migriert worden.
Die Abschlussarbeit wird im Rahmen der Veröffentlichungspflicht (§ 86 UG 2002) zur Verfügung gestellt.
Haben Sie inhaltliche oder redaktionelle Anliegen zur digitalen Version dieser Abschlussarbeiten, drücken Sie auf die oder den Eigentümer:in. Sie werden dann an den Support weitergeleitet.</dcterms:provenance>

  
<dcterms:provenance xml:lang="en">This thesis has been migrated to the repository of the angewandte in the course of a database migration (2022).
The thesis is made available within the framework of the obligation to publish (§ 86 UG 2002).
If you have content or editorial concerns about the digital version of these theses, press the owner. You will then be forwarded to the support team.</dcterms:provenance>

  
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<skos:prefLabel xml:lang="de">2019 Sommersemester</skos:prefLabel>

  
<skos:prefLabel xml:lang="en">summer term 2019</skos:prefLabel>

  
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