{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/spec\/#","frap":"http:\/\/purl.org\/cerif\/frapo","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"https:\/\/www.w3.org\/TR\/rdf-schema\/","relators":"http:\/\/id.loc.gov\/vocabulary\/relators","role":{"@context":{"advisor":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/advisor"},"aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"}}},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl"},"@id":"https:\/\/phaidra.bibliothek.uni-ak.ac.at\/o:41830","bf:note":[{"@type":"bf:Note","skos:prefLabel":[{"@language":"deu","@value":"Die Themen der Zugehörigkeit und des Fremdseins\nhaben Burcu Özalp Özgürs Leben in den letzten\nacht Jahren maßgeblich gestaltet. In ihrem\nDokumentarfilm Der Bruch setzt sie sich mit\ndiesen Inhalten auseinander.\n\nProtagonistInnen des Films sind vier Frauen aus\nihrem Freundeskreis mit türkischem Migrationshintergrund.\nSie sind verschiedenen Alters und\nstammen aus unterschiedlichen sozialen und\nkulturellen Verhältnissen.\n\nÖzgür will der Frage nachgehen, wo der Ort ist,\nan dem wir das Fremdsein oder Nicht-Fremdsein\nausmachen können. Die Geschichten und Erzählungen\nder Frauen stellt sie in einen visuellen Kontext,\nder ihre Umwelt beschreibt und Wien und Istanbul\nals zwei Städte auffasst, nach denen sie sich\nsehnen und die zu verlassen sie schmerzt."}]},{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"Identity and alienation have been the main themes of Burcu Özalp Özgür's life in the last 8 years. In the dokumentary called \"The Break\" she deals with these contents. Protagonists of the film are four women that I know a Turkish migration background.\n\nThey all represent different social and cultural references and generations. The goal is to explore the space where people define and constitute their strangeness or non-strangeness.\n\nThe stories and narrations of the women are put in a visual format to describe the environments they live in as well as their perceptions of Vienna and Istanbul as two different cities which they long for and sadly have to leave."}]}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[]}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"deu","@value":"Der Dokumentarfilm \"Der Bruch\""}]}],"dcterms:provenance":[{"@type":"dcterms:ProvenanceStatement","skos:prefLabel":[{"@language":"deu","@value":"Diese Abschlussarbeit ist im Zuge einer Datenbankmigration (2022) in das Repositorium der angewandten migriert worden.\nDie Abschlussarbeit wird im Rahmen der Veröffentlichungspflicht (§ 86 UG 2002) zur Verfügung gestellt.\nHaben Sie inhaltliche oder redaktionelle Anliegen zur digitalen Version dieser Abschlussarbeiten, drücken Sie auf die oder den Eigentümer:in. Sie werden dann an den Support weitergeleitet."}]},{"@type":"dcterms:ProvenanceStatement","skos:prefLabel":[{"@language":"eng","@value":"This thesis has been migrated to the repository of the angewandte in the course of a database migration (2022).\nThe thesis is made available within the framework of the obligation to publish (§ 86 UG 2002).\nIf you have content or editorial concerns about the digital version of these theses, press the owner. You will then be forwarded to the support team."}]}],"dcterms:subject":[{"@type":"skos:Concept","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/2010W"],"skos:prefLabel":[{"@language":"deu","@value":"2010\/11 Wintersemester"},{"@language":"eng","@value":"winter term 2010\/11"}]}],"dcterms:type":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/8MY0-BQDQ"],"skos:prefLabel":[{"@language":"eng","@value":"container"}]}],"edm:hasType":[{"@type":"skos:Concept","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/diploma"],"skos:prefLabel":[{"@language":"deu","@value":"Diplomstudium"},{"@language":"eng","@value":"Diploma"}]}],"frapo:isOutputOf":[{"@type":"aaiso:Programme","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/c_23b49e14"],"skos:notation":[""],"skos:prefLabel":[{"@language":"deu","@value":"Bühnengestaltung - historisch"},{"@language":"eng","@value":"Scenography\/Stage Design - historic"}]}],"rdfs:seeAlso":[{"@type":"schema:URL","schema:url":["http:\/\/www.dieangewandte.at\/institute\/bildende_und_mediale_kunst\/buehnen-_und_filmgestaltung"],"skos:prefLabel":[{"@value":"URL-Studienrichtung: http:\/\/www.dieangewandte.at\/institute\/bildende_und_mediale_kunst\/buehnen-_und_filmgestaltung"}]}],"role:advisor":[{"@type":"schema:Person","schema:familyName":[{"@value":"Kleber"}],"schema:givenName":[{"@value":"Bernhard"}],"skos:exactMatch":[{"@type":"ids:gnd","@value":"121125351"}]}],"role:aut":[{"@type":"schema:Person","schema:familyName":[{"@value":"Özalp Özgür"}],"schema:givenName":[{"@value":"Burcu"}]}]}