<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:contributor>Henning Bohl</dc:contributor>
  <dc:type xml:lang="deu">Diplomstudium</dc:type>
  <dc:subject xml:lang="deu">2015 Sommersemester</dc:subject>
  <dc:subject xml:lang="eng">summer term 2015</dc:subject>
  <dc:title xml:lang="deu">the burning-cutting line</dc:title>
  <dc:creator>Sebiye Celik</dc:creator>
  <dc:type xml:lang="eng">container</dc:type>
  <dc:type xml:lang="eng">Diploma</dc:type>
  <dc:description xml:lang="eng">We develop, we make an application of a topographic plan a trip to the land of better knowledge. Defied, the deadpoint was the first movable act (line). After a short time stop to catch my breath. (broken or articu-lated with repeated stop line.) Back at how far we have (counter movement). In the spirit of the way here and there considered (line bundle). A river wants to stop, we make use of a boat (wave motion). Next up would have been a bridge (bow row).
Over we meet like-minded people who also want to go where they can have more knowledge. First we agree for joy (convergence) to provide a gradual differences (self-guided tour of two lines). Certain excite-ment on both sides (expression that dynamics and psyche of the li-ne)

Klee, Paul: Arts - Education, essays, lectures, book reviews and contribu-tions to the visual morphology, Reclam Verlag Leipzig, 1991, page 60-61.</dc:description>
  <dc:identifier>https://phaidra.bibliothek.uni-ak.ac.at/o:42050</dc:identifier>
</oai_dc:dc>