{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/spec\/#","frap":"http:\/\/purl.org\/cerif\/frapo","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"https:\/\/www.w3.org\/TR\/rdf-schema\/","relators":"http:\/\/id.loc.gov\/vocabulary\/relators","role":{"@context":{"advisor":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/advisor"},"aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"}}},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl"},"@id":"https:\/\/phaidra.bibliothek.uni-ak.ac.at\/o:43306","bf:note":[{"@type":"bf:Note","skos:prefLabel":[{"@language":"deu","@value":"sigNature\nAusgangspunkt ihrer künstlerischen Praxis ist die Zeichnung. Sie ist darin durch Verdichtung und Reduktion nahe an das Zeichen gelangt und oszilliert im Spannungsfeld zwischen emotionalem, direktem und individuellem Ausdruck und reflektierter allgemeingültiger Botschaft.\nIhr Aufenthalt im Reich der Zeichen hat sie sensibilisiert. \nIn ihrer Diplomarbeit “sigNature” verbindet sie das Zeichen, das für einen selbst steht mit dem Zeichnen das allgemein verständlich ist. Katya Dimova zeichnet es in vielen Varianten und sucht aus der Fülle das geeignete Destillat um ihrer gerecht zu werden.\nZeichnungen in unterschiedlichen Formaten werden so zu einem eigenen kommunikativen Raum."}]},{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"sigNature\nStarting point of her artistic practice is drawing. By means of reduction and compression the drawings came close to becoming signs and are now oscillating between direct emotional and individual expression and reflected, generally accepted messages.\nAdditionally, her stay within the empire of signs has deepened her sensibility for the complexity of our formalized communication.\nKatya Dimova combines in her diploma work “sigNature” the sign that stands for oneself with the one that is generally understood. Of this she creates many variations and makes a selection out of the plenty that is a suitable distillate to cope with it.\nBy that, drawings in different formats become a communicative space on their own."}]}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[]}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"deu","@value":"sigNature"}]}],"dcterms:provenance":[{"@type":"dcterms:ProvenanceStatement","skos:prefLabel":[{"@language":"deu","@value":"Diese Abschlussarbeit ist im Zuge einer Datenbankmigration (2022) in das Repositorium der angewandten migriert worden.\nDie Abschlussarbeit wird im Rahmen der Veröffentlichungspflicht (§ 86 UG 2002) zur Verfügung gestellt.\nHaben Sie inhaltliche oder redaktionelle Anliegen zur digitalen Version dieser Abschlussarbeiten, drücken Sie auf die oder den Eigentümer:in. Sie werden dann an den Support weitergeleitet."}]},{"@type":"dcterms:ProvenanceStatement","skos:prefLabel":[{"@language":"eng","@value":"This thesis has been migrated to the repository of the angewandte in the course of a database migration (2022).\nThe thesis is made available within the framework of the obligation to publish (§ 86 UG 2002).\nIf you have content or editorial concerns about the digital version of these theses, press the owner. You will then be forwarded to the support team."}]}],"dcterms:subject":[{"@type":"skos:Concept","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/2013W"],"skos:prefLabel":[{"@language":"deu","@value":"2013\/14 Wintersemester"},{"@language":"eng","@value":"winter term 2013\/14"}]}],"dcterms:type":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/8MY0-BQDQ"],"skos:prefLabel":[{"@language":"eng","@value":"container"}]}],"edm:hasType":[{"@type":"skos:Concept","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/diploma"],"skos:prefLabel":[{"@language":"deu","@value":"Diplomstudium"},{"@language":"eng","@value":"Diploma"}]}],"frapo:isOutputOf":[{"@type":"aaiso:Programme","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/c_0d7556ec"],"skos:notation":[""],"skos:prefLabel":[{"@language":"deu","@value":"Bildende Kunst: Grafik - historisch"},{"@language":"eng","@value":"Fine Arts: Graphics - historic"}]}],"rdfs:seeAlso":[{"@type":"schema:URL","schema:url":["http:\/\/www.dieangewandte.at\/institute\/bildende_und_mediale_kunst\/grafik_und_druckgrafik"],"skos:prefLabel":[{"@value":"URL-Studienrichtung: http:\/\/www.dieangewandte.at\/institute\/bildende_und_mediale_kunst\/grafik_und_druckgrafik"}]}],"role:advisor":[{"@type":"schema:Person","schema:familyName":[{"@value":"Svenungsson"}],"schema:givenName":[{"@value":"Jan"}],"skos:exactMatch":[{"@type":"ids:gnd","@value":"121144771"}]}],"role:aut":[{"@type":"schema:Person","schema:familyName":[{"@value":"Dimova"}],"schema:givenName":[{"@value":"Katya Todorova"}]}]}