Anna Menecia Antenete Hambira Anna Menecia Antenete Hambira Hussein Chalayan Hussein Chalayan what it is about creating a wardrobe for people who don‘t t into boxes // who push boundaries to create an open minded space for themselves and others // people who give themselves the opportunity to grow by avoiding a clear allocation // this behaviour is part of a po- litical revolution located in the private space // in sexuality // in gender // in one‘s personal way of living // this behaviour excludes judgment // and stands in total in opposition to the current political and social development // this development is built upon the theory of fear // upon the construction of we and them // gender and the system the idea that genderless fashion is_ in its biggest possible free- dom just doable if you change the system and existing terms_the starting point is to skip the gender and to focus on the possibil- ity how di erent garments work on di erent bodies_this approach points to the need for solutions in the design itself the private in progress translating work processes and design tools like sketches_hand- written fonts_notes_ ... into nal items like raw embroidery_ product workingtitles_notes from the sketch book// connection to the life long process _ the process of growing and change // the possibility to change existing opinions the screen prints eyes on suit fabric // inspired by the novel „watership down“ by richard adams_abstract rabbit eyes full of fear on top of a clas- sic wool suit fabric the fabric of the elite // no_fear_checked_ pattern // inspired by the experiences of my brother_ a bold sign that you do not have to fear the so called stranger the scarf 01_mushroomforay digital print on silk // abstract mushrooms from underneath the forest soil_connection to old fears which come across in fairy tales_ culturally transmitted fears of our forefathers and moth- ers now used to control the public // the headscarf _the most con- troversial discussion about a piece of fabric_worn by the queen: a sign for old european upper class_ worn by fatima: a damage to our culture_deconstructed through using it as what it is_ a piece of fabric wearable for everyone the hand knit developed together with my mother // the value of traditional craftmanship_ the luxury of time itself starts in the making // a wearable image for slow fashion what it is about creating a wardrobe for people who don‘t t into boxes // who push boundaries to create an open minded space for themselves and others // people who give themselves the opportunity to grow by avoiding a clear allocation // this behaviour is part of a po- litical revolution located in the private space // in sexuality // in gender // in one‘s personal way of living // this behaviour excludes judgment // and stands in total in opposition to the current political and social development // this development is built upon the theory of fear // upon the construction of we and them // gender and the system the idea that genderless fashion is_ in its biggest possible free- dom just doable if you change the system and existing terms_the starting point is to skip the gender and to focus on the possibil- ity how di erent garments work on di erent bodies_this approach points to the need for solutions in the design itself the private in progress translating work processes and design tools like sketches_hand- written fonts_notes_ ... into nal items like raw embroidery_ product workingtitles_notes from the sketch book// connection to the life long process _ the process of growing and change // the possibility to change existing opinions the screen prints eyes on suit fabric // inspired by the novel „watership down“ by richard adams_abstract rabbit eyes full of fear on top of a clas- sic wool suit fabric the fabric of the elite // no_fear_checked_ pattern // inspired by the experiences of my brother_ a bold sign that you do not have to fear the so called stranger the scarf 01_mushroomforay digital print on silk // abstract mushrooms from underneath the forest soil_connection to old fears which come across in fairy tales_ culturally transmitted fears of our forefathers and moth- ers now used to control the public // the headscarf _the most con- troversial discussion about a piece of fabric_worn by the queen: a sign for old european upper class_ worn by fatima: a damage to our culture_deconstructed through using it as what it is_ a piece of fabric wearable for everyone the hand knit developed together with my mother // the value of traditional craftmanship_ the luxury of time itself starts in the making // a wearable image for slow fashion Container 2022-12-14T11:23:52.473Z 2019 Sommersemester summer term 2019