University of Applied Arts Vienna // old fear and the private revolution of the individualists // what it is about creating a wardrobe for people who don‘t t into boxes // who push boundaries to create an open minded space for themselves and others // people who give themselves the opportunity to grow by avoiding a clear allocation // this behaviour is part of a po- litical revolution located in the private space // in sexuality // in gender // in one‘s personal way of living // this behaviour excludes judgment // and stands in total in opposition to the current political and social development // this development is built upon the theory of fear // upon the construction of we and them // gender and the system the idea that genderless fashion is_ in its biggest possible free- dom just doable if you change the system and existing terms_the starting point is to skip the gender and to focus on the possibil- ity how di erent garments work on di erent bodies_this approach points to the need for solutions in the design itself the private in progress translating work processes and design tools like sketches_hand- written fonts_notes_ ... into nal items like raw embroidery_ product workingtitles_notes from the sketch book// connection to the life long process _ the process of growing and change // the possibility to change existing opinions the screen prints eyes on suit fabric // inspired by the novel „watership down“ by richard adams_abstract rabbit eyes full of fear on top of a clas- sic wool suit fabric the fabric of the elite // no_fear_checked_ pattern // inspired by the experiences of my brother_ a bold sign that you do not have to fear the so called stranger the scarf 01_mushroomforay digital print on silk // abstract mushrooms from underneath the forest soil_connection to old fears which come across in fairy tales_ culturally transmitted fears of our forefathers and moth- ers now used to control the public // the headscarf _the most con- troversial discussion about a piece of fabric_worn by the queen: a sign for old european upper class_ worn by fatima: a damage to our culture_deconstructed through using it as what it is_ a piece of fabric wearable for everyone the hand knit developed together with my mother // the value of traditional craftmanship_ the luxury of time itself starts in the making // a wearable image for slow fashion what it is about creating a wardrobe for people who don‘t t into boxes // who push boundaries to create an open minded space for themselves and others // people who give themselves the opportunity to grow by avoiding a clear allocation // this behaviour is part of a po- litical revolution located in the private space // in sexuality // in gender // in one‘s personal way of living // this behaviour excludes judgment // and stands in total in opposition to the current political and social development // this development is built upon the theory of fear // upon the construction of we and them // gender and the system the idea that genderless fashion is_ in its biggest possible free- dom just doable if you change the system and existing terms_the starting point is to skip the gender and to focus on the possibil- ity how di erent garments work on di erent bodies_this approach points to the need for solutions in the design itself the private in progress translating work processes and design tools like sketches_hand- written fonts_notes_ ... into nal items like raw embroidery_ product workingtitles_notes from the sketch book// connection to the life long process _ the process of growing and change // the possibility to change existing opinions the screen prints eyes on suit fabric // inspired by the novel „watership down“ by richard adams_abstract rabbit eyes full of fear on top of a clas- sic wool suit fabric the fabric of the elite // no_fear_checked_ pattern // inspired by the experiences of my brother_ a bold sign that you do not have to fear the so called stranger the scarf 01_mushroomforay digital print on silk // abstract mushrooms from underneath the forest soil_connection to old fears which come across in fairy tales_ culturally transmitted fears of our forefathers and moth- ers now used to control the public // the headscarf _the most con- troversial discussion about a piece of fabric_worn by the queen: a sign for old european upper class_ worn by fatima: a damage to our culture_deconstructed through using it as what it is_ a piece of fabric wearable for everyone the hand knit developed together with my mother // the value of traditional craftmanship_ the luxury of time itself starts in the making // a wearable image for slow fashion Diplomstudium Diploma container Diploma Diplomstudium summer term 2019 2019 Sommersemester Anna Menecia Antenete Hambira Hussein Chalayan Diese Abschlussarbeit ist im Zuge einer Datenbankmigration (2022) in das Repositorium der angewandten migriert worden. Die Abschlussarbeit wird im Rahmen der Veröffentlichungspflicht (§ 86 UG 2002) zur Verfügung gestellt. Haben Sie inhaltliche oder redaktionelle Anliegen zur digitalen Version dieser Abschlussarbeiten, drücken Sie auf die oder den Eigentümer:in. Sie werden dann an den Support weitergeleitet. This thesis has been migrated to the repository of the angewandte in the course of a database migration (2022). The thesis is made available within the framework of the obligation to publish (§ 86 UG 2002). If you have content or editorial concerns about the digital version of these theses, press the owner. You will then be forwarded to the support team. 2019 Sommersemester summer term 2019