
<resource xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:datacite="http://datacite.org/schema/kernel-4" xmlns="http://namespace.openaire.eu/schema/oaire/" xsi:schemaLocation="http://namespace.openaire.eu/schema/oaire/ https://www.openaire.eu/schema/repo-lit/4.0/openaire.xsd">
  
<datacite:identifier identifierType="URL">https://phaidra.bibliothek.uni-ak.ac.at/o:46830</datacite:identifier>

  
<datacite:titles>
  
<datacite:title xml:lang="de">// old fear and the private revolution of the individualists //</datacite:title>

  
</datacite:titles>

  
<datacite:creators>
  
<datacite:creator>
  
<datacite:creatorName nameType="Personal">Hambira, Anna Menecia Antenete</datacite:creatorName>

  
<datacite:givenName>Anna Menecia Antenete</datacite:givenName>

  
<datacite:familyName>Hambira</datacite:familyName>

  
</datacite:creator>

  
</datacite:creators>

  
<datacite:contributors>
  
<datacite:contributor contributorType="Other">
  
<datacite:contributorName nameType="Personal">Chalayan, Hussein</datacite:contributorName>

  
<datacite:givenName>Hussein</datacite:givenName>

  
<datacite:familyName>Chalayan</datacite:familyName>

  
<datacite:nameIdentifier nameIdentifierScheme="GND" schemeURI="https://d-nb.info/gnd/">124062326</datacite:nameIdentifier>

  
</datacite:contributor>

  
</datacite:contributors>

  
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<fundingReferences>
  
<fundingReference></fundingReference>

  
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<dc:description xml:lang="de">what it is about 
creating a wardrobe for people who don‘t t into boxes // who push boundaries to create an open minded space for themselves and others // people who give themselves the opportunity to grow by avoiding a clear allocation // this behaviour is part of a po- litical revolution located in the private space // in sexuality // in gender // in one‘s personal way of living // this behaviour excludes judgment // and stands in total in opposition to the current political and social development // this development is built upon the theory of fear // upon the construction of we and them // 
gender and the system 
the idea that genderless fashion is_ in its biggest possible free- dom just doable if you change the system and existing terms_the starting point is to skip the gender and to focus on the possibil- ity how di erent garments work on di erent bodies_this approach points to the need for solutions in the design itself 
the private in progress 
translating work processes and design tools like sketches_hand- written fonts_notes_ ... into nal items like raw embroidery_ product workingtitles_notes from the sketch book// connection to the life long process _ the process of growing and change // the possibility to change existing opinions 
the screen prints 
eyes on suit fabric // inspired by the novel „watership down“ by richard adams_abstract rabbit eyes full of fear on top of a clas- sic wool suit fabric the fabric of the elite // no_fear_checked_ pattern // inspired by the experiences of my brother_ a bold sign that you do not have to fear the so called stranger 
         the  scarf  01_mushroomforay
digital print on silk // abstract mushrooms from underneath the forest soil_connection to old fears which come across in fairy tales_ culturally transmitted fears of our forefathers and moth- ers now used to control the public // the headscarf _the most con- troversial discussion about a piece of fabric_worn by the queen: a sign for old european upper class_ worn by fatima: a damage to our culture_deconstructed through using it as what it is_ a piece of fabric wearable for everyone 
the hand knit 
developed together with my mother // the value of traditional craftmanship_ the luxury of time itself starts in the making // a wearable image for slow fashion</dc:description>

  
<dc:description xml:lang="en">what it is about 
creating a wardrobe for people who don‘t t into boxes // who push boundaries to create an open minded space for themselves and others // people who give themselves the opportunity to grow by avoiding a clear allocation // this behaviour is part of a po- litical revolution located in the private space // in sexuality // in gender // in one‘s personal way of living // this behaviour excludes judgment // and stands in total in opposition to the current political and social development // this development is built upon the theory of fear // upon the construction of we and them // 
gender and the system 
the idea that genderless fashion is_ in its biggest possible free- dom just doable if you change the system and existing terms_the starting point is to skip the gender and to focus on the possibil- ity how di erent garments work on di erent bodies_this approach points to the need for solutions in the design itself 
the private in progress 
translating work processes and design tools like sketches_hand- written fonts_notes_ ... into nal items like raw embroidery_ product workingtitles_notes from the sketch book// connection to the life long process _ the process of growing and change // the possibility to change existing opinions 
the screen prints 
eyes on suit fabric // inspired by the novel „watership down“ by richard adams_abstract rabbit eyes full of fear on top of a clas- sic wool suit fabric the fabric of the elite // no_fear_checked_ pattern // inspired by the experiences of my brother_ a bold sign that you do not have to fear the so called stranger 
         the  scarf  01_mushroomforay
digital print on silk // abstract mushrooms from underneath the forest soil_connection to old fears which come across in fairy tales_ culturally transmitted fears of our forefathers and moth- ers now used to control the public // the headscarf _the most con- troversial discussion about a piece of fabric_worn by the queen: a sign for old european upper class_ worn by fatima: a damage to our culture_deconstructed through using it as what it is_ a piece of fabric wearable for everyone 
the hand knit 
developed together with my mother // the value of traditional craftmanship_ the luxury of time itself starts in the making // a wearable image for slow fashion</dc:description>

  
<datacite:subjects>
  
<datacite:subject xml:lang="de">2019 Sommersemester</datacite:subject>

  
<datacite:subject xml:lang="en">summer term 2019</datacite:subject>

  
</datacite:subjects>

  
<file>https://phaidra.bibliothek.uni-ak.ac.at/api/object/o:46830/download</file>

  
<datacite:relatedIdentifiers>
  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bibliothek.uni-ak.ac.at/o:66347</datacite:relatedIdentifier>

  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bibliothek.uni-ak.ac.at/o:66423</datacite:relatedIdentifier>

  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bibliothek.uni-ak.ac.at/o:66530</datacite:relatedIdentifier>

  
<datacite:relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://phaidra.bibliothek.uni-ak.ac.at/o:67626</datacite:relatedIdentifier>

  
</datacite:relatedIdentifiers>

  
<datacite:dates>
  
<datacite:date dateType="Issued">2022</datacite:date>

  
</datacite:dates>

  
</resource>


