{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/spec\/#","frap":"http:\/\/purl.org\/cerif\/frapo","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"https:\/\/www.w3.org\/TR\/rdf-schema\/","relators":"http:\/\/id.loc.gov\/vocabulary\/relators","role":{"@context":{"advisor":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/advisor"},"aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"}}},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl"},"@id":"https:\/\/phaidra.bibliothek.uni-ak.ac.at\/o:51989","bf:note":[{"@type":"bf:Note","skos:prefLabel":[{"@language":"deu","@value":"„POLITICAL KARAOKE“ ist ein fotografischer Diskurs, eine politische Aussage, Interpretation und Portrait. Die aus 24 Fotografien bestehende Serie bildet einerseits eine fragmentarische Zeitaufnahme der gegenwärtigen aktivistischen Musikszene in Wien, sowie der politischen Anliegen die diese Musiker und Musikerinnen beschäftigen. Andererseits befasst sich diese Arbeit mit der Frage der Relevanz von politischer Reflexion im Rahmen der Produktion von angewandter Fotografien und stellt den Versuch dar eine Achse zwischen Fotografie, Politik und Musik zu zeichnen. \nDie Serie besteht grundlegend aus zwei Teilen: Portraits von zwölf österreichischen bzw. in Österreich lebenden, politisch engagierten Musikern und Musikerinnen sowie parallel dazu aus zwölf fotografischen Visualisierung von politisch relevanten Songs, die die Musiker und Musikerinnen ausgewählt haben."}]},{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"“POLITICAL KARAOKE” is a photographic discourse, a political statement, interpretation and portrait. The series consisting of 24 photographs shows a fragmentary observation of the current activist music scene in Vienna and tries to pay attention to the political topics that are discussed within this scene. The series consist of twelve portraits as well as twelve corresponding photographic visualisations of politically relevant songs, that the musicians themselves chose. Political Karaoke in its attempt to draw an axis between photography, politics and music deals with the question how relevant political contemplation is in the production of applied photography."}]}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[]}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"deu","@value":"POLITICAL KARAOKE"}]}],"dcterms:provenance":[{"@type":"dcterms:ProvenanceStatement","skos:prefLabel":[{"@language":"deu","@value":"Diese Abschlussarbeit ist im Zuge einer Datenbankmigration (2022) in das Repositorium der angewandten migriert worden.\nDie Abschlussarbeit wird im Rahmen der Veröffentlichungspflicht (§ 86 UG 2002) zur Verfügung gestellt.\nHaben Sie inhaltliche oder redaktionelle Anliegen zur digitalen Version dieser Abschlussarbeiten, drücken Sie auf die oder den Eigentümer:in. Sie werden dann an den Support weitergeleitet."}]},{"@type":"dcterms:ProvenanceStatement","skos:prefLabel":[{"@language":"eng","@value":"This thesis has been migrated to the repository of the angewandte in the course of a database migration (2022).\nThe thesis is made available within the framework of the obligation to publish (§ 86 UG 2002).\nIf you have content or editorial concerns about the digital version of these theses, press the owner. You will then be forwarded to the support team."}]}],"dcterms:subject":[{"@type":"skos:Concept","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/2019W"],"skos:prefLabel":[{"@language":"deu","@value":"2019\/20 Wintersemester"},{"@language":"eng","@value":"winter term 2019\/20"}]}],"dcterms:type":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/8MY0-BQDQ"],"skos:prefLabel":[{"@language":"eng","@value":"container"}]}],"edm:hasType":[{"@type":"skos:Concept","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/diploma"],"skos:prefLabel":[{"@language":"deu","@value":"Diplomstudium"},{"@language":"eng","@value":"Diploma"}]}],"frapo:isOutputOf":[{"@type":"aaiso:Programme","skos:exactMatch":["http:\/\/base.uni-ak.ac.at\/vocabulary\/c_5441858d"],"skos:notation":[""],"skos:prefLabel":[{"@language":"deu","@value":"Design: Angewandte Fotografie und zeitbasierte Medien"},{"@language":"eng","@value":"Design: Applied Photography and Time-based Media"}]}],"rdfs:seeAlso":[{"@type":"schema:URL","schema:url":["http:\/\/www.dieangewandte.at\/institute\/design\/angewandte_fotografie_und_zeitbasierte_medien"],"skos:prefLabel":[{"@value":"URL-Studienrichtung: http:\/\/www.dieangewandte.at\/institute\/design\/angewandte_fotografie_und_zeitbasierte_medien"}]}],"role:advisor":[{"@type":"schema:Person","schema:familyName":[{"@value":"Ziegelböck"}],"schema:givenName":[{"@value":"Maria"}],"skos:exactMatch":[{"@type":"ids:gnd","@value":"1172901147"}]}],"role:aut":[{"@type":"schema:Person","schema:familyName":[{"@value":"Lajczak"}],"schema:givenName":[{"@value":"Martina"}]}]}