<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  
    
  <dc:relation>isPartOf:https://phaidra.bibliothek.uni-ak.ac.at/o:68597</dc:relation>
    
  <dc:relation>isPartOf:https://phaidra.bibliothek.uni-ak.ac.at/o:66336</dc:relation>
    
  <dc:relation>isPartOf:https://phaidra.bibliothek.uni-ak.ac.at/o:66396</dc:relation>
    
  <dc:relation>isPartOf:https://phaidra.bibliothek.uni-ak.ac.at/o:66516</dc:relation>
    
  
    
  <dc:contributor>Bernhard Leitner</dc:contributor>
    
  
    
  <dc:description xml:lang="eng">Composition - UAK

The technical support for this &quot;low-fi&quot; (analogical) constellation, with the help of which the &quot;compositions&quot; are made possible, is made from a simple sound interface alias coaxial cable, which reacts to the events, course and changes within the picture electrons on the screens of monitor-television and eventually, reacts to the simple touch of it. There is also a &quot;analogical&quot; connection between audio and video signal, such as video makes, manipulates, modulates audio signal and vice verse. A simple electronic signal circle is possible. The before prepared and presented (projected) pictorial alias audio compositions make up the scores. They are fundamental materials for the performances and interactivity. The duration of one loop is defined through the length of the pictorial-audio composition-score. Manipulation occurs in treating and projecting the audio and video signal into the system, into the constellation and into the real space. Modulation happens during the process of the performance-interactivity-improvisation with constellation, with this &quot;low-tech&quot; music instrument. The pictorial material of the different &quot;compositions&quot; includes and is represented by moving images (found footage or original video recording), as well as animated static images, words and numbers. Compositions could be also made out of new or found audio samples alias out of very simple or complex sound scores.
During the last three-year period son: DA has created a series of compositions alias technical constellations with their guests (&quot;unit 739&quot;. &quot;nr. 7-G&quot;. &quot;nr. 27-1-2-3&quot;. &quot;for two monitors&quot;. &quot;for a question&quot;. &quot;for Europe&quot;. &quot;for monitor, projector, bass and computers&quot;. &quot;nr. 25&quot;. &quot;composition ar_co&quot;).</dc:description>
    
  
    
  <dc:type xml:lang="deu">Diplomstudium</dc:type>
    
  
    
  <dc:description xml:lang="deu">Diplomarbeit an der Universität für angewandte Kunst Wien

Komposition - UAK</dc:description>
    
  
    
  <dc:type xml:lang="eng">container</dc:type>
    
  <dc:type xml:lang="eng">Diploma</dc:type>
    
  
    
  <dc:title xml:lang="deu">Komposition - UAK</dc:title>
    
  
    
  <dc:subject xml:lang="eng">summer term 2006</dc:subject>
    
  
    
  <dc:creator>Miha Horvat</dc:creator>
    
  
    
  <dc:subject xml:lang="deu">2006 Sommersemester</dc:subject>
    
  <dc:subject xml:lang="deu">Miha Horvat</dc:subject>
    
  <dc:subject xml:lang="deu">Komposition - UAK</dc:subject>
    
  <dc:subject xml:lang="deu">Bernhard Leitner</dc:subject>
    
  <dc:subject xml:lang="deu">Visuelle Mediengestaltung</dc:subject>
    
  <dc:subject xml:lang="deu">Bildende und Mediale Kunst</dc:subject>
    
  
    
  <dc:identifier>https://phaidra.bibliothek.uni-ak.ac.at/o:54980</dc:identifier>
    
  
</oai_dc:dc>