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Der Tragödie erster Teil« - aus der Sicht von Margarethe. \n\nDie offizielle Präsentation des Diploms am 23. Juni 2026 wird in Form einer auf insgesamt fünfzehn Minuten verdichteten »Filmvorschau« stattfinden. Die letzten Minuten dieser Vorführung markieren dabei den absoluten Höhepunkt meiner gesamten Studienzeit: \nDie Hauptdarstellerin des Films, Anne Wieben, wird persönlich auftreten und die zentrale, hoch emotionale Arie des Films live vor dem Prüfungskomitee darbieten. Dieses einmalige Event schlägt eine \nBrücke zwischen der filmischen Konserve und der rohen, unmittelbaren Kraft der darstellenden Kunst. \n\n-\n\nDer Film basiert auf »Faust. Der Tragödie erster Teil« von Johann Wolfgang von Goethe sowie auf Arrigo Boitos einziger vollendeter Oper »Mefistofele«, welche wiederum auf Goethes Werk basiert.\n\nDie Idee zu dieser Diplomarbeit entstand an einem Abend mit der Hauptdarstellerin Anne Wieben. Im Anschluss an mein Musikvideo »PIQUE DAME: LISA‘S KATHARSIS«, in welchem Anne Wieben ebenfalls stimmlich involviert ist, sollte ein weiteres Musikvideo entstehen. Unser gemeinsamer Anspruch war eine hohe musikalische Qualität und eine eindringliche Bildsprache.\n\nIm Zuge meiner Recherche zu diesem geplanten Nachfolge-Video beschäftigte ich mich intensiv mit dem Libretto zu »Mefistofele« von Arrigo Boito sowie mit Goethes »Faust. Der Tragödie erster Teil«. Sofort fiel mir die deutliche Entwertung der für mich eigentlichen Hauptprotagonistin, der Figur des »Gretchen«, auf. Ich empfand es als respektlose Entscheidung Goethes, einem so wichtigen Charakter einen Diminutivnamen in der Ansprache zu verleihen. Auch sie als »naiv« darzustellen. Daher fasste ich den Entschluss, das Video um sie, die Margarethe (das »Gretchen«), allein zu machen. Schnell wurde klar, dass ein kurzer Musik-Clip nicht ausreichen würde, um ihre komplexe Geschichte mit jenem Respekt zu erzählen, welchen sie meines Erachtens verdient.\n\nDie Arbeit am Drehbuch begann - und dauerte insgesamt über eineinhalb Jahre, denn ich musste etliche Handlungsaspekte neu formulieren. Wie in all meinen Arbeiten finden sich darüberhinaus auch in dieser viele Erlebnisse aus meinem eigenen Leben wieder.\n\nMir war es wichtig, deutlich herauszuarbeiten, welche Rolle die Mutter seit dem Ausbleiben einer männlich gelesenen Person in der Familiendynamik einnimmt. Welche Folgen hat das Leben mit einer alleinerziehenden Mutter, die österreichische, patriarchale Strukturen übernehmen musste, auf das persönliche Erleben von Margarethe?\n\nMargarethe erhielt von mir ein neues Spielalter von Mitte dreißig, denn mir war beim genauen Studium von »Faust. Der Tragödie erster Teil« Goethes »pädophil-erotische« Herangehensweise aufgefallen, welche ich keinesfalls in meine Arbeit einfließen lassen wollte. Ich verurteile und lehne diese Idee des Autors entschieden ab. Um mich noch mehr von Goethe zu distanzieren habe ich die Zeit, in welcher sich die Geschehnisse abspielen, in die siebziger Jahre verlegt.\nDie stark religiösen Komponenten im Buch Goethes, welche zur berühmten »Gretchenfrage« führen wurden von mir primär der Mutter zugeordnet. \n\nIch habe mich außerdem dazu entschieden, den Film in mehreren Sprachen zu gestalten. Jede:r der Protagonist:innen sollte in ihrer:seiner Muttersprache sprechen. Diese Entscheidung hatte stark dramaturgische Gründe, denn die Protagonist:innen sollten zwar miteinander reden, sich aber nicht zuhören, sondern in ihrer eigenen Wahrnehmung gefangen sein.\n\nFolglich umfasst der Film die beiden Hauptsprachen: Englisch und Schwedisch sowie die Sekundärsprachen Deutsch und Italienisch.\n\nDie Abgabe umfasst eine 15-Minuten verdichtete Version des Films.\nGESAMT-FILMDAUER: 80 Minuten"}]},{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"A full-length feature film on Johann Wolfgang von Goethe's »Faust. The First Part of the Tragedy« - from the perspective of Margarethe.\n\nThe official presentation of the diploma on June 23, 2026 will take place in the form of a »film preview« condensed to a total of fifteen minutes. The final minutes of this screening mark the absolute highlight of my entire time studying:\nThe lead actress of the film, Anne Wieben, will appear in person and perform the central, highly emotional aria of the film live before the examination committee. This unique event builds a\nbridge between the pre-recorded film and the raw, immediate power of the performing arts.\n\nThe film is based on »Faust. The First Part of the Tragedy« by Johann Wolfgang von Goethe as well as on Arrigo Boito's only completed opera »Mefistofele«, which in turn is based on Goethe's work.\n\nThe idea for this diploma project arose on an evening with the lead actress Anne Wieben. Following my music video »PIQUE DAME: LISA‘S KATHARSIS«, in which Anne Wieben is also vocally involved, another music video was supposed to be created. Our mutual ambition was a high musical quality and a haunting visual language.\n\nIn the course of my research for this planned follow-up video I dealt intensively with the libretto for »Mefistofele« by Arrigo Boito as well as with Goethe's »Faust. The First Part of the Tragedy«. Immediately I noticed the clear devaluation of what is, for me, the actual main protagonist, the character of »Gretchen«. I felt it was a disrespectful decision by Goethe to give such an important character a diminutive name in address. Also to portray her as »naive«. Therefore I made the decision to make the video about her, Margarethe (the »Gretchen«), alone. It quickly became clear that a short music clip would not be enough to tell her complex story with that respect which, in my opinion, she deserves.\n\nThe work on the screenplay began - and lasted a total of over a year and a half, because I had to reformulate several plot aspects. As in all my works, many experiences from my own life can furthermore be found reflected in this one.\n\nIt was important to me to clearly work out what role the mother takes on in the family dynamic since the absence of a male-read person. What consequences does life with a single mother, who had to adopt Austrian, patriarchal structures, have on the personal experience of Margarethe?\n\nMargarethe received a new playing age of mid-thirties from me, because during the close study of »Faust. The First Part of the Tragedy« I had noticed Goethe's »pedophilic-erotic« approach, which I absolutely did not want to let flow into my work. I strongly condemn and reject this idea of the author. In order to distance myself even more from Goethe I have relocated the time in which the events take place to the seventies.\nThe strongly religious components in Goethe's book, which lead to the famous »Gretchenfrage« were primarily assigned to the mother by me.\n\nI have furthermore decided to create the film in multiple languages. Each of the protagonist:s should speak in her:his native language. This decision had strong dramaturgical reasons, because the protagonist:s were supposed to talk to each other, but not listen to each other, but rather be trapped in their own perception.\n\nConsequently the film comprises the two main languages: English and Swedish as well as the secondary languages German and Italian.\n\nThe submission includes a 15-minute condensed version of the film.\nTOTAL FILM DURATION: 80 minutes"}]}],"dce:rights":[{"@language":"deu","@value":"Alle Rechte liegen bei Martin Willibald Meisl"}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Faust"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Film"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Feature 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