{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore#","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/0.1\/","frap":"http:\/\/purl.org\/cerif\/frapo\/","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","oaire":"http:\/\/namespace.openaire.eu\/schema\/oaire\/","oefos2012":"https:\/\/vocabs.acdh.oeaw.ac.at\/oefosdisciplines\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"http:\/\/www.w3.org\/2000\/01\/rdf-schema#","relators":"http:\/\/id.loc.gov\/vocabulary\/relators\/","role":"http:\/\/id.loc.gov\/vocabulary\/relators\/","role:advisor":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/advisor"},"role:aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl#","vra":"http:\/\/purl.org\/vra\/"},"@id":"https:\/\/phaidra.bibliothek.uni-ak.ac.at\/o:76206","bf:note":[{"@type":"bf:Note","skos:prefLabel":[{"@language":"deu","@value":"Colours of Deconstruction ist ein keramisches Forschungsprojekt, das sich mit Materialherkunft, Ressourcenverbrauch und den ökologischen Folgen von Rohstoffabbau auseinandersetzt. Ausgangspunkt der Arbeit ist die Frage, woher die Materialien stammen, die in keramischen Prozessen verwendet werden, unter welchen Bedingungen sie gewonnen und verarbeitet werden und in welchen materiellen sowie gesellschaftlichen Zusammenhängen sie stehen. \n\nFür das Projekt wurden Materialien aus Baustellen und Abbruchprojekten in Wien gesammelt und so vor der Deponie gerettet. Anstatt auf industriell abgebaute Rohstoffe zurückzugreifen, wurden diese Abfälle zerkleinert, aufbereitet und zu Glasurrohstoffen weiterverarbeitet. Durch Schmelzproben und Materialtests entstanden keramische Oberflächen, die von Abriss, Transformation und Materialkreisläufen erzählen. \n\nDas finale Objekt besteht aus vier verschiedenen modularen Fliesenformen und orientiert sich formal an den stufenförmigen, schichtartigen Strukturen von Tagebauanlagen. Das Sitzobjekt lädt dazu ein, Materialität nicht nur visuell, sondern auch taktil zu erfahren."}]},{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"Colours of Deconstruction is a ceramic research project that explores material origins, resource consumption, and the ecological consequences of raw material extraction. The project is based on the question of where the materials used in ceramic processes come from, under what conditions they are extracted and processed, and within which material and societal contexts they exist.\n\nFor this project, materials were collected from construction sites and demolition projects in Vienna and thereby rescued from landfill disposal. Instead of relying on industrially extracted raw materials, these waste materials were crushed, processed, and transformed into glaze ingredients. Through melting samples and material experiments, ceramic surfaces emerged that speak of demolition, transformation, and material cycles.\n\nThe final object consists of four different modular tile forms and is formally inspired by the stepped, layered structures of open-pit mining sites. 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